Peter, Bjorn & John - Writer's Block
It's true, this dude (Peter) sounds exactly like John Lennon sometimes. That might be enough for some, but it's not even the best part of this album. There's a reason people everywhere are falling in love with this band. First, they're one of the largest-sounding power trios I've heard in some time (check that wall of guitars on the 2nd track, "Objects of my affection"), but beyond that PB&J know how to utilize all available resources (double-tracking, percussion, guest vocalists, etc) to realize their sound. This album is an instant classic. So get it now.
DOWNLOAD:
Peter, Bjorn & John - Writer's Block
HIGHLIGHTS:
Objects of My Affection
Young Folks
Up Against the Wall
Paris 2004
Let's Call the Whole Thing Off

Currently listed on
Thanks to Mike C. for uploading this one and sending it over. I haven't heard all of it yet, but I like so far. The muted vocal delivery and guitar tones remind me that Pinback is also a really kickass band, and that these guys sort of sound like them.
Remember when Macy Gray broke out? I feel like the same thing is happening with Amy Winehouse -- who's success so far seems to be rooted in her amazingly unique voice. Unlike Gray, there's an air of nostalgia that definitely players in her favor -- namely her rasp, which owes a debt to 1940-50s jazz singers like Sarah Vaughn and Ella Fitzgerald. Time will tell how "sticky" this kind of retro can remain -- assuming that most of the listeners pushing her up the charts (so far peaking at #7 on the Top 200) are likely only casually familar with vocal Jazz.
First off, Feist's voice sounds incredible on this album. It might lacking a style or two found on 2004's Let It Die -- most noticeably the soft rock / AM gold flavors on tracks like "One Evening" -- but it makes up for it with some rollicking stomps and agonizingly beautiful ballads. She got the goods.
So finally The Boss is getting his just due. Suddenly it's cool to emulate the Bruce, and it's high time that Bruce found a path alongside Woody Guthrie, Johnny Cash and Dylan as a definitive songwriter of his time. And if you ask me,
Here's some future-classic metal combining early Slayer-style thrash with the melodicism of 80s Metallica and dose of modern grindcore. Look out for some highly intelligent melodies and time changes and some brutal drumming.
This new record from Field Music is an excellent breather from the "Angular" styles that have dominated (indie) rock over the last few years. Plenty of luscious vocal harmonies and crisp syncopation, with the occasional '70s guitar lick (see the 0:50 mark of opener, "Give it, lose it, take it") thrown in for good measure. One of 2007's best so far, and a great soundtrack for the sunny days ahead. 